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“Here we were in this paradise, which we soon turned into a living hell.” He's just a tad dramatic, and Sting and Andy Summers offer slightly sunnier recollections of their time there. “We went there for the isolation,” Police drummer Stewart Copeland says of the Synchronicity sessions. By far the most entertaining part of the very engaging documentary involves The Police, who made their final two albums there under varying levels of acrimony. This documentary mainly focuses on the music that was made there, featuring rare in-the-studio footage and new interviews many of the biggest names to record there, including Elton, Duran Duran, Ultravox's Midge Ure, The Rolling Stones, Jimmy Buffett and more. The damage to AIR was irreparable and Martin decided 10 years was enough, and closed shop, The island continued to hold a place in his heart, though, and when it's dormant Soufrière Hills volcano erupted in 1997, Martin organized relief efforts. Just after The Rolling Stones finished work on their 1989 album, Steel Wheels, Montserrat hit by Hurricane Hugo which destroyed 90% of the island's structures. Gracie Otto's documentary, Under the Volcano, opens with eerie shots of AIR now, abandoned for 30 years, with creeping vegetation infiltrating the studio rooms, the abandoned pool and the rest of the facility. Among the famous records made there: Dire Straits' Brothers in Arms, The Police's Ghost in the Machine and Synchronicity, Duran Duran's Seven And The Ragged Tiger, Elton John's Too Low For Zero, OMD's Junk Culture, and Rush's Power Windows. įamed Beatles producer George Martin opened AIR Studios on the Caribbean island of Montserrat in 1979, offering a state-of-the-art recording as well as an idyllic escape from other distractions that would allow big-name artists to focus on the music, while getting in a little beach time, too. If you assumed Billie's rise to fame has been all glamour and glory, this doc suggests that is not the case at all. Outside of the music, the film gets into some of Billie's personal struggles, including how chronic leg pain has affected her ability to perform. The footage of them writing and recording in their bedroom gives you a great look at the genuinely organic way that Billie's music comes together, and the live footage is terrific, too. Billie is portrayed as a Kurt Cobain-like figure, uncomfortable with fame and uninterested in her record label's request for a radio-friendly hit, while her brother/collaborator Finneas seems to be a little more accepting of the "industry" side of things - they balance each other out well. Cutler-directed Billie Eilish: The World's a Little Blurry gives you a fascinating behind-the-scenes look at her rise, from Billie's Soundcloud days to sweeping the Grammys and performing at massive venues. It feels like a truly monumental moment in music history, and this year's R.J. About 47,000 copies of the book have sold since Trump’s election in November, according to CNN.Billie Eilish: The World's a Little Blurry ( Apple TV)īillie Eilish has had one of the most meteoric rises of any pop singer in recent memory, and it's been even longer since an artist blew up like this and can accurately be called "alternative," as Billie can. Demand has grown so quickly that publisher Penguin has issued a 75,000 copy reprint of 1984. The novel has had a major resurgence in pop-culture conversations in recent days, jumping to the top of the Amazon best-seller list last month. The show will take place at the Hudson Theater, and will open on June 22, making it, at this point, the first show of the 2017–2018 Broadway season. It will be directed by Robert Icke, who co-created the British adaptation with Duncan Macmillan in 2014. The successful London stage adaptation will arrive on the Great White Way this summer, produced by Scott Rudin and Sonia Friedman ( Harry Potter and the Cursed Child). Published in 1949, the book has become a best-seller once more-and, in timing that certainly doesn’t seem coincidental, an adaptation is now set to debut on Broadway. In the wake of Donald Trump’s hectic presidency, already marked by leaks, damaging executive orders, and demands for obedience, George Orwell’s dystopian novel has taken on a disturbing new resonance.
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Sixty-eight years after its publication, 1984 is new again.